By choosing to flirt with silk, the modernism of the 1950s and ’60s embraces a new aesthetic. Its signature angular lines soften under the freehand movement of hand-painted silk, sometimes even bending into curves.

A carefree spirit breathes life into geometric compositions and abstract motifs, releasing bursts of color. In this joyful energy, the creations wink playfully at the woven works of Anni Albers, the rhythmic facades of Gio Ponti, and the bold prints of Emilio Pucci.

In collaboration with Marie Papillaud and Vincent Gevin